Tuesday, March 20, 2018

MMRDA Entry Register






















If you look closely, you will understand the inventiveness of this book. Expand the image and look at the first and last columns.

The above idea was put in place by the security staff of MMRDA (new block) so as to avoid the constant turning of the book in 180 degrees for taking details of the visitors.

Visitors notebooks have become a common place after the millennium in most public places as well as private housing complexes in cities of India, particularly Mumbai, as a manner of keeping tab on anyone who enters within their premises. Security guards are required to take the details of visitors that include their names, addresses, contact details and signatures. The entire affair is quite strange for over years, the act has almost become perfunctory. Both parties - the guard as well as the visitor is casual about the register, seen in the material condition of the book and the instruments (pen). No one knows who finally checks this data, and when? What happens of these countless pages of information at the end of the book? If one sits with these registers after their completion, they could provide us an interesting geography of visitors to a single place - the flows of people and objects precisely.

This is indeed a valuable cultural product - one that indexes the manifest of (in)securities arising due to certain events in a certain time in history in urban areas, taking a unique form along with its assisting infrastructure of security scanners (in public places) and acts of body-frisking!

In an age where rubberband and paperclip are personalising the object of a note book, how does one think of book as a communal entity within which several people write at once? In the above case, for example, the book is filled in by numerous individuals, from different directions and multiple handwritings. It is these engagements in space and time that give the book its ultimate form. The above example is exceptional as it helps opening up so many dimensions of use, regulation, aesthetic, record keeping, sharing, space - and so on. The construction of the register is simultaneously regarded and disregarded. 

Sunday, February 18, 2018

What is a home?

I realised today how I have come to reserve my entire life to my bag pack that I carry everyday, everywhere, most of the times. My bag has the ingredients that make my world. It contains my laptop, its related accessories, a little stationery pouch, some note books to write, basic amenities like my medicines, cards, keys, etc. One section of my bag is merely reserved for lunch boxes that my mother prepares for my day. On some days, that section remains empty. The other things I need are stuffed in my pockets - my vollet, kerchief, and mobile. What else do I need over the day? Practically nothing. I can perhaps live by this set of things.

As I come back from work, I recluse into my room. Still in my own virtual world of people and material accessed through my mobile or laptop, I don't feel the need to make any contact to the physical reality of my home. i exhaust myself of this virtual Life and eventually go to sleep. Nothing more. Nothing less. This has been my everyday over the last four years. 

The place where I stay - my parent's place - is hardly a true reflection of me - in any way. I store my parapharnelia there - the objects that I have created over my lifetime, and the objects that I have meaningfully collected over the thirty two years of my life. Those remain closed in boxes, baggages or cabinets. They come out when I am digging into memories of my own. My surrounding physical space - my room - is not me. I cannot claim ownership over anything that's built in this house. I don't live by my rules here. These rules are those of my parents. What time to get up, to eat, to behave - literally everything. I am a constructed body in my house. A body that conveniences my parents' existence. I do not write this with any ill feeling. I write this towards the understanding of what we come to be. How we come to become what we do. I write this to suggest that human condition which we perhaps try to escape while still being within it.

And here my wise, bold friends would suggest me to snap out in order to find a space of my own...a space that can become the physical expression of my psychological inner being. And to that, it takes so much mental effort, for I will need to fight the cultural codes that make up the social structure here. I have tried it in the past. It's easy to think of living alone by yourself, however, it lands you then into a strange circle of loneliness...slowly making you  into an  island. To make one's own microcosm against the expectational environment of those closest to you must require some amount of courage and clarity. I am not sure if I have it yet.

But we all live in these weird in-between environments of the negotiated self. Some of us realize and stay back to observe. Some of us act to experiment, exercise and experience that (desired) change. I meant to also suggest how the mind thinks within certain frameworks in such places like an others' home. A house that you have grown up in but is no longer yours. A house which makes you feel an other even if it accommodated your growing body. A space that changes its meaning with your own inner self realization. A place which tells a story that shall no longer represent that way in which you would want yourself to be identified. A house that no longer reflects the values that you have come to live your own life by. What kind of expressions do these homes become then - discordant, disconnected, strange environments that have mashed up their expressions into diverse ideologies that remain insular to each other. What heterotopias are these?

I am able to write this post from home because I am completely alone today - and I do not have the pressure to behave in any particular way, or abide by a time schedule (even at home). And this is not to say that there's a fixed time schedule to my life. But we all know that domestic life is that of a routine which is set by hundreds of other parameters. In the social context we live in here, it will be the morning chores that have to be attuned to the maids, the sweepers, the news paper wallahs, the hundred incidental things that keep your house going! These are needlessly further entangled into rules that every household sets for itself. And your life ends up getting inscribed in these impositions leaving you with no time to get deeper into your thought pools.

How does home happen? When does it happen? A home will also not happen being alone. And a home with people will always be these negotiations. How does one reconcile? How does one be?

Friday, February 16, 2018

Tujhse Naaraz Nahi / English Translation

Song: Tujhse Naaraz Nahi
Film: Masoom
Singers: Anup Ghoshal / Lata Mangeshkar
Lyricist: Gulzar
Music Director Rahul Dev Burman


Hindi:


तुझसे नाराज़ नहीं ज़िन्दगी, हैरान हूँ मैं
तेरे मासूम सवालों से, परेशान हूँ मैं

जीने के लिए सोचा ही नहीं, दर्द संभालने होंगे
मुस्कुराये तो मुस्कुराने के, क़र्ज़ उतारने होंगे
मुस्कुराऊं कभी तो लगता है, जैसे होंठों पे क़र्ज़ रखा है
तुझसे...

आज अगर भर आई है, बूंदे बरस जाएगी
कल क्या पता किनके लिए, आँखें तरस जाएगी
जाने कब गुम हुआ, कहाँ खोया, इक आंसू छुपा के रखा था
तुझसे...


--

Tujhse Naaraaz  Nahiin Zindagi, Hairaan Hoon Main
Tere Masum Sawaalon Se, Pareshaan Hoon Main

Jeene Ke Liye Sochaa Hi Nahi, Dard Sambhaalane Honge
Muskuraaye To, Muskuraane Ke Karz Utarne Honge
Muskuraauun Kabhii To Lagataa Hai
Jaise Honthon Pe Karz Rakhaa Hai

Aaj Agar Bhar Aai Hain, Boondein Baras Jaayengi
Kal Kyaa Pataa Inke Liye, Aankhein Taras Jaayengi
Jaane Kab Gum Kahaan Khoyaa, Ek Ansuun Chhupaake Rakhaa Thaa

Zindagi Tere Gam Ne Hamein Rishte Naye Samajhaaye
Mile Jo Hamein Dhoop Mein Mile Chaanv Ke Thande Saaye


--
English Tranlsation


I am not upset, just surprised with you, Life
Your innocent questions keep me unsettled

It never occurred that in order to live, one will have to preserve (one's) pain
That smiling may come at the cost of repaying its debts 
Whenever I smile, I feel that someone has burdened my lips

If today, they are brimming, the drops will now fall
Who knows, tomorrow, (one's) eyes will crave for them all
When did it disappear, where did i lose that one tear drop that I had preserved

Life, Your sadness has taught me the new relationships
When received, we got the cool shadow of shade in harsh sunlight



Tuesday, February 13, 2018

C Bhagyanath

A student/friend had asked me the author of the artwork on my current blog header. I hadn't noted the name of the artist whose work I photographed from the Kochi Biennale 2016. Here I came across the work again, and thought it must serve a useful record:



https://www.youtube.com/watch?v=aBnUm7F4bPE

Sunday, February 04, 2018

Kanhaiyya Kumar's Political clarifications

Politics becomes a medium to change social norms.
Political issues however are different, and social issues are different.

Time creates circumstances that bring out work from you.

sub-altern = alternative readings (of history)

Our society is gradually becoming an aspirational society.

post truth societies: societies for whom truth doesn't matter at all, where perceptions establish the truth.

We are not able to filter from the overwhelm of the information in this age. Information has its own problems. That doesn't mean we shouldn't even try.

'Welfare State' concept has been demolished to bring in neo-liberal concept.

One no longer knows what is the base and what is the super structure. Are Modi's decisions political or economic? What is the base - economic or political?

Reservation is kept to resolve the already existing inequalities in the society. It's not meant to bring in new equalities. So many people are born into economic backgrounds, through which they have access to facilities. Reservation is meant to revise this.

The bad people are shouting only because the good people are silent.





\\ more later