Sunday, November 25, 2012

Kiss

"An art professor once told me that in composition, elements should either overlap or there should be some space between them; that it produecs discomfort when things where tangential. he called this phenomenon kissing..."
John Baldessari, Kissing Series: Simone Palm Trees (Bear), 1975. 

"The basic concept was not try to destroy or be provocative to the architecture, but to melt in. As if I would kiss Taniguchi. Mmmmm." (said with closed eyes and elaborate flourish, a bright yellow down vest,. and a heavy Swiss accent).
"Behind the scenes with Pipilotti Rist, Pour Your Body out (7354 cubic Metres)"
-Kissing Architecture, Sylvia Lavin

Kissing may mirror suckling, turn into grooming, generate oral fixations , find sublimated means of expression, and even be erotic. Kissing may be self soothing and appeasing. But ultimately kissing is something you cannot do on your own. Kissing always involves the surprise of the difference of another mouth that is like yours but not yours. kissing is not a collaboration between two that aims to make one unified thing it is the intimate friction between two mediums that produces twoness --- reciprocity without identity - which opens new epistemological and formal models for redefining architecture's relation to other mediums and hence to itself.
-Kissing Architecture, Sylvia Lavin, p.54-55


A world that has just been turned around

I told them: "I miss dirtyness - I miss the dirt around, the bottles lying, the pan masala packets, the spit, the dead mice, the crushed pigeons, the rotting flowers, the smells, the leaves, the sweat, the closeness, the density, the air, the smog, the dust, the stains, the layers of peeled posters..."

They just made faces.

I now live in a place where colourful fall leaves are blown away from the pavements using diesel operated blowers. Dried leaves are removed using small vans which blow them and collect them. Clearing off tree leaves is a cultural activity. Skeletal remains of leaves outside their houses are collected by families and pushed into large paper bags which are bought from supermarkets!Similarly, snow shoveling is also a ritualistic activity. Although every thing looks perfect all the time, I wonder how people strive towards making it more perfect. The constantly work towards clarifying the lines they have drawn on earth - including those between road and the pavement, pavement and building porch, porch and house, rooms within house...

These spaces are maps personified. Every line on the map is a real manifest. All representations of their space work towards leveling themselves out - they try to match each other to an extent where everything is real.

I simply ask - "Is this really real?" A place I imagined through greeting cards, paintings - which I always thought were only drawings, only representations! I now live in a world that was never alive to me. A strange predicament between the real and the unreal hits me.

---

All views eyes frame are photogenic
All mind is turning schizophrenic


Of notions that have turned reverse
Spaces that strongly feel averse


Searching my filthy beauty on the street
Was present right under my seat

In search of real I struggle around
A cobweb under my chair I found

Reality finally hits the ground
My world has just been turned around.

---

Sunday, November 11, 2012

Random Thoughts

How do you feel when someone who you seemingly respect does not reciprocate in the same way?
Was just wondering!