Wednesday, May 16, 2012

Baghban VI

There comes a time often when we think critically of our relationships. It's a time when we ponder over what more can we draw out of the relationship that we nurture. We mostly fall into a relation because we need it - socially, psychologically or physically...but there comes a time when this 'use value' of the bond is over. 


However, on the other hand, relationships can grow with time. Maturing relationships are satisfying and keep things going, since there is something to gain from it all the time. If nothing, one can look forward to sharing vulnerabilities in a maturing relationship. Our relationships with parents seldom grow with time - or atleast it happens so in my case? Or I am not really sure. For example, I think a boy doesnot need a father after a certain age - say about 25 years, or may be it varies from person to person. But at that age, one looks for a new dimension in that relationship. This new dimension allows to explore life from a new standpoint. A relationship has to be able to offer a lens that allows such perspective. Otherwise it can become hindering. Two issues are involved here - one is the condition of a maturing mind and the othr is the hegemonic parental purview.


Children are often looking up to find people to discuss their newer problems, and newer dimensions of life with someone, during their changing or liminal ages. Parents seldom become mediators in such ages. That's why we take on to friends - whom we believe to be in the same boat as ourselves and who seem to be equally concerned and affected by the circumstances that influence us. Contrastingly, parents are always wanting to 'show us the way' implicitly commanding a hold over the 'moral' ways of dealing with a situation rather than exploring it. Exploration of a situation is important to be able to learn from it. Exploration is the very nature of an evolving mind - just like we explore objects as toddlers. The exploration of the intangible becomes more fascinating in our young years like the tangible during infancy. We want to deduce our own results or formulas of dealing with the kinds of situations we fall in. We also experiment ourselves with putting ourselves in new kinds of situations.


But the instituion of parenting is about getting the end results of all the situations 'right'. Although we need to understand that our elders too may have gone through such situations. What one needs to extract is the mental landscape of our elders during fresh situations of their times. In the realm of the intangible, often the basic nature and structure of interrelationships between people remain unchanges. The manifestations they result from and result into may be different. Parents could do a great deal if they share their life with heir children. This helps the children to feel about their parents as their friends. It also gives the children confidence to share internal conflicts with them.


This again brings me to my age old theory on expression. It may be difficult to express for a lot of people - into words. Many people write, very few draw. Most people express through the tangible world. It may be very difficult for some people to articulate their experiences. There exists no institutions on releasing formula for expressing oneself. Expression in our society gets suppressed to an extent that it may manifest into material life. The material life around us thus gets coded with such values and expression. Therefore it becomes very difficult to detach from the material life. This kind of relationship with the material is complete contrast of the consumerist. It is a relationship similar to that we develop with a certificate or a medal. But in our real lives, would materials be able to hold us down to our relationships?


I do not know. But larger ideas with maintaining relationships are related to ideas of freedom and independence. I do not feel mature enough to deal with it. Hence it will be only wise to stop here.

Earlier threads of 'baghban' can be searched at "Search This Blog" Section (Type Baghban)

Monday, May 14, 2012

Appliances and Music

I found out today that the musical pitch the exhaust fan in my bathroom produces due to its vibration is 'E'.

For a long time I wondered how I could perfectly attune myself to any song in my bathroom. Why would I feel so comfortable singing any song in the drone of my bathroom? Today, it occurred to me that I must try and tally it with the notes on the Tanpura app that I downloaded on my mobile some time ago. And to my surprise, the resonance was the same!!

Although I am not a bathroom singer, bathroom almost becomes my singing room - not only for the bathroom tenor, but also due to the drone of the exhaust fan - Every space has a frequency! Similarly, the tubelight at Opolis architects where I used to work used to make a distinct hum. I would occassionally reach office early, and switch on the tubelights without the fans to have that resonance in the space. In the absence of any one, I would be humming along songs comfortably. I am sure it too must be on a similar pitch. 

Chaitanya had helped me find out my pitch recently when we met for a singing session. He suggested me to sing at E, which is generally the pitch for male voices. It was E! 

How interesting it is to find out such trivialities around our everyday lives. Some great coincidences! I will try to record the hum of my exhaust fan and put it here. Some great intersections of men and machines.

Till then, happy singing!

Sunday, May 13, 2012

Unfinished Poems

The following examples trace how it became more and more difficult for me to write poems as I indulged more and more into architecture. 

After finishing first year of Architecture, 2004
Rajasthan Study tour, 2006-7; On the sand dunes, Jaisalmer.


















































But there are many examples and I shall be embarrassed if I put them all here.
I shifted to prose over the last 8 years, gradually.
Poetry now translated into architecture.



Objectification & Nuance












































notes from Chaitanya Karnik's class.
Interior Design, 2011-12

Friday, May 11, 2012

Software Photography

Often, the real world that we see around does not seem something that one would want to capture in a frame. The real world is a default mixture of colours, textures and materials. On the other hand, photography is the careful measurement of colours, textures and materials in a frame that creates & gives visual pleasure. We encounter a lot of visual content today as we live our everyday lives. Therefore, one may not always be able to find an appropriate frame to capture through a camera. Everyday lives thus secure a relegated position in our social set-ups. The aesthetic of the everyday lives is rejected since it is difficult to measure the right amount of it for a perfect visual frame.

In this context, the introduction of the handy digital cameras and further the mobile phone cameras have enabled a huge mass to experiment with visuals. In order that photography becomes accessible, what a photographer normally 'adjusts' has been converted into a kind of implicit 'code'. Thus we have phones with numerous embedded camera softwares which are able to change the captured photographs (which would otherwise hold no aesthetic value) into something that appeals everyone's eyes.

Recently, I decided to engage in these photo software applications that I downloaded on my phone over the Android Market. Having studied the effect of the photographs I took, I invariably found myself clicking everywhere around. Even the most mundane scene around me would be changed into a stunningly interesting palette. Sepia, black and white, varied frames, etc, reduce the number of decisions you need to make (regarding frame, colour, light, etc.) and yet give out interesting results.

However, looking back at the whole process, I believe the escape from colour by choosing to click pictures in a black and white mode allowed me to study 'form' in greater detail than the colour. As architects, we are always more interested in form than the colour. With colour photographs, one has to be sure if it's being taken in the right kind of light. Places become photogenic because of their natural light conditions. In some places (as I once discussed with my colleagues), the light conditions throughout are so beautiful that any frame you capture gives a pleasing result. The camera otherwise, is not able to capture always, what you see with your naked eye. That can be really disturbing. Thus, the absence of colour in a black & white photograph creates shades of greys that always supplement the content of the frame. Moreover, this mode defines the diagram of things, rather than distracting you in its visual content. Further, the softwares help emphasize this diagram by strategically enhancing the tones that heighten the sense of perceiving a picture. That is the reason why you have camera 'modes'