Thursday, July 11, 2013

The World of Art

I was wondering this morning about my engagement with the three large areas of knowledge that structure the world, or atleast the conventional world that our Indian school boards define for us - arts, science and commerce. I was generally concerned about my proximity with each of these three fields and was carefully considering my engagement with all the three. My general irritation with commerce stems from multiple facts - my inability to contribute to a conversation when I am with my family consisting of people talking about economics and money all the time, my in-congruence with with capitalistic ideologies, my aversion to empirical world and my general lack of interest in politics of business.

I have been an artistic person, or atleast I would like to believe so, given my strong interest in music, literature, craft and creativity. Strangely enough, arts always remained a peripheral subject in my early life. At the same time, emphasis on science as a vocational subject was something I was virtually convinced about. In addition, during my time, one could only get into architecture if one took science. So I ended up pursuing science - and I learnt a lot of jargon. However, what always kept on fascinating me was the ways in which people arrived at concepts in science. I wondered how people came to think of several ideas historically? For a long time, I had a hard time understanding the subjects of calculus, electricity, space, black holes - all of that...I never understood why was I studying them, or why would someone think of such things?

There is an artistic way to appreciate and learn the potency of all the scientific concepts - I have begun to discover this as I visit the numerous art works in the museums here, as well as when I read thoughts of various artists. The artistic way of learning the world is much more close to human nature, much more of a cognitive process. One arrives at important questions about the unsolved world by just peeping inside oneself or pondering about the incomprehensible outer world.

Looking at various exhibtions, compilations and works of artists around here, and deeper engagement into humanities and arts has allowed me to feel more confident of my questions. A lot of times, to my surprise, I concur upon questions that once have passed my mind earlier while visiting an artist's works. "I thought it too!" - I tell myself! But it's just a matter of getting the question out of your head, voicing it as sincerely and honestly as possible! Unlike the artistic world, the factual mind tries to resolve your questions far too quickly for you to even consider it at length.

For example, I wonder WHY can't I get a hang of geography? I confuse when people tell to me places, locations and cities all the time - I cannot figure them mentally on the cartographic map. When someone talks of Jordan or Israel, I confuse their location completely on the map. It is recently while visiting the Metropolitan museum of Art that I discovered that Mongolia, from where Mughals came, is in the Far East, ie, China's east. for some reason, I always assumed and mixed Mongolians and hence the Mughals with to come from the West of India, since their historically they came after the Muslims. Muslims came from the west of India, but since most invasions in India have happened from the west, I assumed the Mughals to come from the west too! I felt surprised, but I educated myself! I would feel awkward to share my under-information with anyone. But there is an strong philosophical question here.

Why did I assume the above assumption? Why did I never think of this before? What constructs geographical imagination in absence of the cartographic map? How do we imagine places through mediated facts? How do we situate them in our mind? What map does the mind make? What is the comparison of that map to the factual one? How is it important, rather when does it become important to align the map of the mind to the scientific map? What happens in the collision of the mental artistic map and the empirical scientific map? Why does it become a matter of joke, if one confuses this map of the mind to the map of the world? And why does this quickly become the aspect of evaluation, knowledge and judgement?

The above would easily become a strong ground for a research on epistemology . But the art world is soft enough to accommodate the above questions. It allows you to have them, pursue them and feel confident about them, unlike science which may put you down. But the intelligent scientist will constructively draw the artistic questions above into an imaginative workable solution. I always remain baffled by Einstein's invention of the 'microwave'. I once saw a documentary which revealed how Einstein resolved his question on microwaves or the relation between energy and light. His mother would tell him when he was still a small kid - "Dear son, all things in this world are connected!"

Einstein's innocent mind grew up to translate that simple philosophical proposition from his mother to the biggest invention of the century, and probably the most important equation in the history of science (E = mc 2)! I hence come to conclusion that the greatest scientist has to be rooted deeply into philosophy...

I have come to an understanding that it is ART that creates the world. It is through art that we produce the world. The branches of art - language, drawing, sculpture, poetry, music and so on gives the first expression to our understanding of the world, to something that our inner mind needs to articulate of the outside world in order to communicate, survive. The art world negotiates the boundary between the inside and outside. Art makes comprehensible something that is yet unanswered. It opens up large questions for the world to think about, to ponder upon. It constructs imaginations and makes way for science to act towards resolving them.

It is science that resolves the art-world. It pursues art more seriously to investigate if imaginations from art are viable, relevant. The scientific world resolves and makes the negotiation bearable - or it rests the unstable mind to some extent (or a large extent?). Science has also come to dialectically work with art.

It is commerce, that mobilizes science and art. The commercial world, today, ironically makes the outer world again unstable! I still do not find how commerce conceptually completes the triad with science and art, apart from merely giving it a value of exchange, quite a banal affair. However, as soon as I arrive at commerce, I feel at lack of words to talk about. So I must end this post here for people in the stream of commerce to explain their contribution in production of the world, beyond the realm of money.

Monday, July 01, 2013

Thoughts on Indiffrence in American Culture

The culture of indifference pervades America. It is indifference that constitutes individualism, as well as exemplifies liberty. People here do not like to share themselves, their space. A lot of what actually goes on in their minds is also not shared. There is no one to share happiness, no one to share loss, no one to look up to in case you are in trouble and no one to generally talk when you just want to talk to someone. They have built themselves on this foundation. I am not sure if this also prevails in the Midwest and the west American coast. But as far as I have known the north east, that is the rule.

I do not know how they manage their social space. Many rely on social networking websites. Even on these platforms, either their names, or their images are changed. The notion of privacy on such platforms too, is very high. Initially I used to wonder why any kind of application forms that we fill up in the US provide two spaces for names – one for maiden name, and the other for “how you prefer to be called” – but after coming here, I have experienced how strictly people guard their own space. They want to, and do decide everything for their lives by themselves, of course, as soon as they are mature.

I have experienced how indifference can be disturbing for a person who comes from a place where social space is absolutely different, interdependent and interwoven. It makes one feel left out, insignificant, non-proximate or of least consequence to any one else around him or her. There is no feeling of belonging-ness, thus not obligated to anyone. The difficult balance one thinks of is whether it is possible to belong to someone without being obligated?

It is not that people don’t share their thoughts because they don’t want to. It is just that they do not bring it out unless asked. I often wonder what makes the people here keep their happiness or deep sorrows within them. In that sense, the Indian society is much more expressive, not verbally, but gesturally. I have found only few Americans to express true emotion. But is 'bhaav' or emotion is a consequence of interdependence, or can it be kept just within the mind without bringing it on face?

But what does keeping one’s things to oneself mean? Does it mean being to self centered? Or does it mean to keep one’s world to oneself? Does it mean that one need not project their experiences to any one else? What is the point of an isolated world that does not intersect with another’s? How then would any one expand the idea of the world?

People here work their ways out in a different way. Most of them find their callings by trial and errors along their growing up period, and observe the trajectory of people whom they want to work with. They contact them, get in touch, express their interest and apprentice many a times. Though these people and networks developed by their own interests, they create a world which feeds their aspirations. On the other hand, people from Indian culture are exposed to a lot of things equally right from the beginning – our schools teach us all subjects, our families emphasize the importance of all subjects in studies, most of our parents would have loved for us to be all-rounders. But in this, so many worlds intersect, and often conflict with one another. Much of our life is spent in resolving, negotiating or understanding this conflict. But the opportunity this conflict offers is to peep into different worlds, different people and different ideas. The world that thus gets stitched is much more multidimensional. It has multiple entry points, multiple exits. There are so many loose stories that never get completed – they are left as lingering unexplained thoughts of life.

Whereas, the American will connect all the possible dots – but where were there ambiguous dots anyway? One finds the next dot only after connecting the previous! What do I mean by this metaphor? An average story of an American, if asked about how one landed at point A in their career would be pretty linear. He/she would mostly be able to explain his extremely logical trajectory step by step – carefully calculated. There are hardly any chances or opportunistic moments.

Don’t much of our Indian lives happen by chance? Or am I just exaggerating it too much? There are so many things in our life that we wish to do – by ‘things’ I mean not always materialistic, but something that would satisfy our soul. For example, a doctor would have loved to give a musical performance, or an engineer would have liked to paint for his life, or a government servant would have like to be an artist! There are no “would be-s” in the American system. You just do it! There is no one to stop you, question you, or project their ideas or desires on you.

But to talk of this American attitude as the ‘liberating experience’ is not expounding! Where was anything tying the American down in the first place to feel liberated? Were there any societal expectations anyway? There are no parents who are waiting to be taken care of once you start earning, there is no wife whom you cannot leave, there are no kids whom you have to take care of all your life, or there are no social expectations you have to fulfil in terms of pressures of money or maintaining a social status. When I talk of this, I am talking in the liberal framework, that you are not bounded by any social codes where you have to maintain your status quo. I have seen people with a degree working for money at odd places here. Apart from the fact that they may have no options to earn money, they also do not face any social shame in taking up something that is below their qualification. This is something we would understand as “dignity  of labour.” But this is also something that comes off as the characteristic of indifference.

Indifference sometimes may also result in “who cares?” attitude.  I am talking of this attitude only in a social sense, not city, not governance, not lawful sense. I am thinking of all the above ideas in the sphere of ethics and morality, in the sphere of social space that gets codified by only the practice of everyday acts and decisions. What would be the point of morals and ethics in a society that hardly interacts with each other? What is the point of morals when the morality of one doesnot influence, harm, affect, depend on the other – since all acts are individual, limited to oneself? There is only the personal project, there is no common goal. This is the private world – the world of private capital, private interest, private space, private circle, private work – nothing that any one can peek into, unless advertised!

It is then understandable that Americans are so good at marketing and adverstising – since when something that is only within the private space needs to come out, it almost erupts, explodes and is loud. It is the repressed indifference. Through advertising, one aims to connect, to reach out, to touch the other world, allows oneself to be seen. I think thus, advertising is a formal channel through which America negotiates indifference. It is the psychological cure for keeping one’s emotions in one’s own world of privacy – the world that no one is able to peep into.

(rambling thoughts)

Napkins

Monday, June 24, 2013

Notice

It was extremely sensitive for the Heat Advisory (Director of Facilties and Safety) to send out an e mail to us this morning!
I was quite surprised of the concern:

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Dear All,

There's a heat advisory for the city today and tomorrow, with temperatures expected to hit 90s.
During periods of extremely hot and humid weather, electricity use rises, which can cause power disruptions.  Please follow the steps below:
·         Close your window blinds to prevent direct sunlight heat into your office space
·         Stay inside air conditioned room as much as possible
·         Turn off all light switches and appliances to prevent overloaded circuits
·         Drink plenty of water or other fluids, even if you don’t feel thirsty
 We’ll continue to monitor advisory reports from NYC Office of Emergency Management and keep you posted of any further information.

Thank you.