Saturday, December 24, 2022

Daman

The course ‘Environmental Flows’ at SEA has been placed pedagogically to interrogate the dichotomies of nature/culture, inside/outside, human/non-human and place design as a catalytic event within such other binaries that have landed architecture in the narrow practices of ‘greening’, ‘sustainability’, ‘green building codes’, ‘energy efficiency’ and such other forms which tend to get subsumed to the forces of the market. While understanding of the term ‘environment’ for this exercise is expanded to include material/immaterial, living/non-living aspects that shape the condition we live in – a ‘maahaul’ that comes to inform our consciousness, the notion of ‘flows’ emphasizes on the interconnectedness, networks and interdependencies between these systems. The course attempts a holistic engagement with the environment acknowledging its contemporary spatial politics.

In order to experiment ways in which spatial practitioners can place architecture within a nuanced understanding of the environment, the studio chose to engage with the fast transforming coastline of the union territory of Daman on the Arabian Sea. The 12-km sea-facing ecological stretch of Daman is currently being transformed into a promenade under the supervision of the State in order to give an economic boost to the place through tourism. Being two hours away from several cities of Maharashtra and Gujarat, Daman is set to become the next leisure destination on the northern Arabian coast. The Portuguese town embedded in the alcohol-ridden dry state of Gujarat offers a perfect release to a large population in its scenic and silent setting. Such an internal geopolitics implies the hardening of the entire shoreline to incentivise vehicular traffic, which may be eventually abutted by a strip of restaurants, hotels, lodges, parking, and such service-programmes that cater to the tourist industry. Not only the introduction of the coastal road disengages with the existing ecology of the marine and estuarine life of the edge, but the above real estate developments have also begun to erase, evict and push out the existing socio-economic dependencies on the coast. The land acquisition and rampant construction have inevitably caused the pushing back of fishing activities, food-stalls along the beach and several other forms of livelihood and leisure that once enlivened the coast of Daman, in favour of foregrounding a face that speaks to a certain gentry. The architectural interface between the land and sea is aspirationally visualized in the image of those in Western countries, or their Gulf-derivatives. All in all, these transformations miss out in addressing the concerns of the sensitive ecology of the shore and its specificities linked to socio-economic dependencies that are of key importance to the inhabitants of the city. The studio project is placed in such a context to devise architectural strategies that are able to reimagine new programmes and forms towards inhabiting the coast more sensitively and responsibly.

































Mysore Railway Museum
















 

A beautiful place called Home










 


Home of Rasika Naik and Prasad Badwe in Pune.