The past week has been the busiest week post my thesis. And I am amazed by the amount of things I have been handling. Right from the sets of Anjor Kaaya to co ordinating on the site (Powai) for Opolis, to designing the tickets and posters, to doing some back stage work to co ordinating with my cousin for redoing his house, I had my fingers in everything. But things have been going fine. While there has been no time to rest, I feel a tremendous need to lie down and think for a while whether it is really necessary to exert so much.
But then I like to be on my toes. That is why I sat down at 10 in the night to formulate a brief for my class today. And though I did not come up with anything great, I felt a deep sense of satisfaction for the simple fact that I completed my task. I also went to Falkland road on Sunday, the experience of which I would like to brief out.
As we know of it, Falkland road is one of those lanes of Kamathipura in Mumbai. I personally was not very much interested in studying or even looking up at that area. Most of the times, I feel it has become a ‘hot spot’ to study. Some people like to discuss things which are difficult / embarrassing to discuss. That is their usp. I was amongst those who resisted either selecting or considering that area for study. I did not want to go to Falkland Road. I went for the simple reason to test the level of my embarrassment. More than that, it was fear of being visually raped.
One can not look into the eyes of a prostitute. They simply make you naked. As if you were made to stand without even a single piece of cloth on your body in front of them. On the other hand, architecturally, the place was deserted. We entered from Alfred Talkies side and slowly the buildings started becoming more and more perverse. The beginning was tolerable, when towards the middle we saw the silver decorated victorias. One could metaphorize it as the pleasure ride into the lane of Kamathipura. And soon, the pleasure queens display themselves as products. That is when I got more involved with neha in her talks. This was done to avoid looking at the girls. However, I managed some courage to look at some of them. They were sharp, looked straight into the eye, did not blink, and had perfect postures. If I was not embarrassed, I would have sat there and made a few portraits. However, the defied the laws of ‘conventional beauty’.
Questions which rolled into my head were debates of lust and love; whether one goes for quenching sexual urge, or spend time with another body…and what defines beauty, can lust exist without an idea of beauty (subjective)?
Of course, the area could be documented beautifully by pictures. There was too much of essence in the space itself. But its just the fear that did not allow us to wait and watch. We tried to wait at a sex clinic and talk for some time while dhaval did his part of survey. But I felt I was in the lane just to experience the oddity for that one single time. I do not intend to go there again for any reason. Neha had some beautiful inferences of the place. It was nice to talk to her.
On the other hand, Anjor Kaaya was a little boring. Apart from the length of the play, it needed a strong character sketch of each of the characters of the play. the music was indeed beautiful, but there was far too many unrequired characters. In short, the play was not crisp!
Well, there are far too many things to write, but where is the time? As I write this, my eyelids are heavy with sleep…so I take a break now…