In true sense, the work of art at the Sassoon Dock was the containment of people in an overbearing envrionment of smell. It is the smell that defines the dock - which kept intensifying and reducing as one moved across the different chambers opened up for art installations at Mumbai's historic dock. One notices the largeness of these left over spaces that have remained locked for a long time. Opening these to the public makes one appreciate the architecture of a dock.
The smell becomes a part of you in a while, after which you are reminded of it through different installations within the exhibition - the toilets, the sea, the perfume and so on. At the risk of becoming too obvious, the assertion of smell as an art form was refreshing. It takes one out of the sanitized environment of the white cubes and brings you to reconsider the city wherein you are constantly negotiating olfactory environments.
Typography and Graffiti was an important part of art, primarily because it was curated by ST+ART Mumbai. Different parts of the city were taken over by street artists from all over. The exhibition saw a new politics in art making. Most importantly, it opened up the docks, which, while leaving, are the strongest memory that remind you of the city as a key trading harbour. The jetty, the warehouse, the left over luggage and sea leave you in a wave of history that is so close, but yet seems so far. It was totally worth visiting the place taken over by art!
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