Saturday, April 14, 2012

Concrete Poetry




























Ground work:

1. Bring a newspaper each (any language)
2. Cut out words and phrases randomly from it. 
3. Make a pool of words and phrases by mixing all what they have cut in a single bowl/box.
4. Shuffle and take a handful of words for your art work (like lucky draw)

The Project:
1. Based on your set of handpicked words, arrange them into sentences or fragments of phrases 
2. Stick them on a sizable piece of paper. (check size with Shubhalakshmi)
3. The stuck bits of paper shall create an image that emerges or thematizes out of the text you are creating. The image may/may not relate to the larger idea of the newly constructed text.

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Second Year B Arch Graphics Studio
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Results to be published soon
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Review in the head / to be published 

Thursday, April 05, 2012

Principal's Principles

Principal Punde Resigns II

This post must be read in conjunction to the earlier one.

This post is constructed to understand what a Principal of an Institution can mean and do to and for an Institution. I have never seen such phenomenal amount of work done by any principal in the past 10 years that I have been associated with Academy of Architecture. And all this work has been achieved only in 2 years of holding the seat. 

So let us recount what changes our recently resigned principal, Mr. Ravindra Punde brought in the last two years:

1. SPACE: The issue of space has been central to the problems of Academy since a long time now. An architecture college needs to have a 24-hour work space, since creative process is closely linked to personal environment. 

a. Rethinking space v/s activity: Till many years, we believed that space cannot be created in the premises of Rachana Sansad, since all possible space is already occupied. It was Ravindra Punde who rethought the problem itself.  He made a quick survey of space usage versus activity; the outcome of which revealed that many activites required lesser spaces than designated. Much dead objects (old archives, records, etc.) occupied lively space of the building.

b. Obtaining NASA room: The possession for the room on first floor (which was a fairly large space used only for NASA, which lied till a long time with the bank) was taken and opened up to be used as a 24 hour space. 

c. Additional space (lift block for storage): Other opportunities of potentially opening up dead spaces for students were capitalized upon. The dead extra lift block was floored and a good amount of space on all floors was created. An information centre was created on ground floor and Stationery too was offered a gracious space. This space was to be eventually given to the students to store their models, sheets, etc.

2. INFRASTRUCTURE

a. Computers: Quotes were ordered from various companies and best of computers were ordered. About 10 new internet PCs were installed in the library given to students for surfing free (that the connection was slow must be completely kept aside from the discussion). Another 40 pcs were installed in the Computer centre.

b. Library: Systemic changes were brought in the library. Numerous books of the library, that lay with management for months on their issue cards, were got for the students back to the library. Audits were seriously checked and it was found that 1500 books have been lost over the past years. Essential books were scanned, digitized and made available to students under his instructions. “Must Read” sections were created for students. Librarians were held more accountable, and asked to perform better and more efficiently. Payments were sometimes made personally by Mr. Punde, overlooking management bureaucracy that ruined the system. An online as well as offilne membership with the British Council Library was also made available to some faculty for research and further study. Books ordered from the BCL added value to the already existing collection of AOA.An archive section has recently been created for the Institute. 

c. Workspaces: Larger ideas of faculty work spaces were envisioned. Layout plans were seriously reconsidered and all floors were made more efficient in terms of space planning. Chaos regarding space for class rooms was resolved. All this was done in conjunction to suggestions by various staff and faculty. The library plan too was reconsidered but not implemented due to the perpetual lethargy and internal politics of library staff, as well as lack of initiative from my side (I was the library in-charge). TT area and the gound floor of the college was strategically activated for student activites, allowing greater interaction with all other other departments. Most other departments took this idea forward to hold their exhibitions on the ground floor instead of their own isolated floors.

3. NETWORK

a. Logo: Academy finally got its own identity, completely through student participation. Academy’s logo – a student entry over a design competition for the aoa logo, was used for all official communication of AOA. It freed us from the long old tradition of using the Rachana logo, which overshadowed Academy, which has always been an independent entity.

b. Website: The AOA website was put together only under the instructions of Mr. Punde. Faculty worked, prepared layouts, revised and put together a completely modern face for AOA – one that very few colleges can boast of today. To the effect that I remember the bills were initially cleared from his own pocket.

c. E mail network: Academy was one of the first Architecture institutions where each student and faculty got his/her own official institution e mail id. Students could personally communicate with the faculty and voice opinions and suggestions. Faculty got a professional communication link. All this only through his professional attitude – contacting google and setting up a great long term infrastructure for college. Eventually, google sites were used for sharing documents, meeting minutes, opinion forms, etc.

4. PEOPLE

a. Best professionals: He got the best professionals in the respective fields to interact with the students. I can not count all names, but students got an opportunity to interact with most proactive people in the country.

b. Filling in Requisite staff: While the COA stipulates 16 permanent faculty, for a long time we had ONLY 6. The money was conveniently saved at the cost of students’ loss. His first action was to recruit and fill up most seats with permanent faculty who could help students, share administrative load and initiate more programs and events for students. Not only that, attempt was to hunt for better people, thinking individuals. 

c. Cross networking within design institutes at Rachana: Different programs at Rachana do not talk with each other. Scholars from all institutes within Rachana were made to interact through various elective programs. The biggest proof is the fact that the entire graphics class was taken by the Art department for the academic year 2011-12

5. EVENTS

a. Electives for all 5 years: Realizing that all students have different interests, electives were opened for all years. Inspite of space constraints, multiple arrangements were made and the program was executed. We experienced management problems, but students got to interact with diverse subjects – 10 in all, vertically across classes – for the first time as a mainstream curricular activity.

b. Open juries: A jury day – a concept never thought of before, allowed students across classes to openly view each others work, thus fostering dialogue, communication and exchange of ideas. Academy of Architecture’s energy during such juries was tripled and a new enthusiasm took over. Design professionals met and discussed ideas – the space seemed a thriving place for discussion.

c. Design Dialogue: Monthly seminar series was initiated to push design thinking in the institute. International and national experts in various fields were called and students were open to interact with them. People from the best of Universities abroad, at high teaching and professional positions were made available for discussion.

d. Vertical Studio: A 3-week intensive vertical studio was devised as an idea to tackle with the NASA lapse. This great opportunity allowed students to engage closely with the city and other issues. People from all kinds of backgrounds poured into Academy making Architecture realize its real potential and scope. Students got to talk to planners, journalists and economists face to face. At the same time, they got to interact with each other across the aided-unaided division. Huge amount of Knowledge was produced. Important ties with outside institutions were established.

e. Alumni Meet: The importance of alumni was realized and networks were re-established. These networks helped in sourcing scholarships for needy students, infrastructure building fund, important faculty and potential creative people back to Academy. Their expertise was made available to the students.

f. Awards / NIASA, CCGM, Meenal Panchal Award, etc : Selection process for awards was made more transparent and formal internal selection process was established. This system was based on mark, merit and design. Such system removed any kind of bias or favouratism, which is one of the most common complaints of students.

g. Annual Lecture: I never remember before of having an ANNUAL LECTURE. We had an Annual lecture where a prominent person was invited especially for sharing his thoughts and ideas with students – the event was made open to all students, alumni, all design professionals and other interested people.

h. Cultural Events: Long lost cultural events like the SPIC MACAY were revived. I was happy to attend a classical music session in the premises of academy after almost 6 years…

6. MONEY

a. Scholarships: Strong scholarship schemes were under the agenda of Prof. Punde. Ties with alumni were strengthened so that the needy students could be helped financially. In addition, Punde Sir was himself funding a student or two (as per my knowledge). These agendas were to be soon formalized for the subsequent years. 

b. Funding offers: Talks with various institutions and firms were on to obtain funds for building up infrastructure for the college and student community. These are countless to number and all of his professional expertise was put to best use for Academy’s growth.

c. Concessions: Bargains with companies like Autodesk, Google and such others were made to make most recent softwares freely available to all students of Academy of Architecture.

7. ADMINISTRATION

a. Tightening of rules: Rules for all staff and students were tightened. Marks and attendance finally became a serious business. On the other hand, long old permanent faculty’s collected holidays and rampant study tours were questioned as per the compendium rules. The blind rule of Mr. Pathak (administrative officer) and Vijay Chindarkar (Controller of Examination) was seriously brought under a scanner. Non-teaching staff no longer assumed superior control of the situation and they were put to more use. Lethargic people were made to work harder and work profiles of each individual were clearly defined. Roles of each person were elucidated. Induction copies were made and handed over with appointment letters. Age old letter formats were rectified and language was polished. Loopholes within language was attempted to clear out.

b. Giving appropriate compensation: All faculties’ interest in achieving pays as per the Sixth Pay commission were seriously considered and acted upon. Within one year, most faculty (permanent as well as visiting) was receiving much appreciated salaries. Again, misinterpretation of rules by redundant old babus was overthrown.

c. Efficient use of people: People who spent long hours doing nothing in their cabins were put to rigorous work. This may have attracted a lot of criticism. Making unnecessarily comfortable people work has unfortunately brought him a lot of political non-support. However, in the interest of revitalizing the inefficient functioning of the system, Mr. Punde took a lot of effort to see that each individual gave his best for the betterment of the institution.

8. REFORMS IN EDUCATION: Mr. Punde had larger vision for the future of architectural education in the country. I have had the opportunity of debating these ideas with him on multiple occasions, at length. Each time, he listened patiently and gave a sharp analysis. He realized that changes at Academy are tied to larger bodies like the Mumbai University, which dicates the syllabus of the five year B Arch programme.

a. Change of syllabus: Mr. Punde initiated a larger discussion with the internal faculty on how must the syllabus be revised so that our future architects are better equipped to handle the complexities of emerging urban conditions. Lots of meetings with numerous pedagogues and academicians took place at academy and have still been taking place. At the same time, new syllabus was proposed to the Mumbai University. 

b. Change in examination patterns at AOA: Redundancy of semester examination for all years was realized and unnecessary exams were removed. Rather, this time was to be used by students and faculty more productively to create and share knowledge instead of mugging up mundane subject notes.

c. Change in thinking: I must refer all to Mr. Punde’s own ideas finally

I hope this document shall make us realize what we lost. But at the same time, I want to use this document to ascertain that a successor to this position, if any must be ready to follow up ALL the above initiatives and keep devising newer ones for the betterment and real progress of the institution and individual.

I am deeply disappointed to have lost our Santa Claus.


Tuesday, April 03, 2012

Principal Punde Resigns

In the year 2006-7 there was a huge debate on a social networking website when the then principal of AOA  had to step down to make space for another one. The discussion meandered from AOA to NASA to god knows what! Names were taken, different people were accused and personal enimity was all over the website. The news soon reached the management and potential (avant-garde) faculties were removed from the system. People did not sleep for nights answering to threads of conversations and some people (outsiders included) distantly enjoyed the whole scene. We did not learn any thing from the ruckus. They have started it again over another social networking website - the blame game has already begun. Sadly, no one shall use this period for self reflection. Let us discuss larger issues here.

In the ruffle of the Principal of Academy of Architecture resigning from his post, I got to learn from Prasad Shetty the dynamic of actors that control architectural education in India. I shall discuss the rubric of this situation through multiple narratives I have voiced on my blog earlier. There is no best way to connect them, but through this very event.
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ARCHITECTURAL EDUCATION IN INDIA:

Three prime bodies are involved here (we shall discuss later why it is important to understand the roles of the following):

1. The Council of Architecture (COA): The Council of Architecture is the body which legitimizes a person to practice as an architect in the country. It is a national body and looks after the architectural production of the country. At the same time, it also has to regulate the architectural education in the country. Basically, it keeps a check on the logistical issues of setting up an architecture school in India. The architectural curriculum is decided by the State Universities (and hence it varies from school to school). COA hardly has any role to play in the curriculum of architectural education.

2. The All India Council of Technical Education (AICTE): This body overlooks all the different branches of technical education in the country, out of which architecture happens to be one. It  is "an advisory body in all matters relating to technical education." (source). AICTE's understanding of architecture is, without doubt, technical and hence COA is in constant tensions with AICTE. Again, AICTE is a national body. The Directorate of Technical Education is, in abbreviation, known as DTE.

3. The Mumbai University (MU): The Mumbai University is one that controls / disburses the degree to a graduate of architecture in the city. Its role is completely academic. It is more of a state body. The head of MU is the Chancellor who represents the MU in the state while it is the Vice Chancellor who does the real job of the Chancellor under his instructions.

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GAME OF MONEY:

Note that the funds for the national bodies come from the Central Government (the Centre) while that of the MU comes from the state.
Academy of Architecture is a government aided college where partially, the funds for running the college come from the Mumbai University.

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MANIFESTOES:

Rachana Sansad trust was created as an educational trust "to promote education in the field of art, architecture and ... allied disciplines" Further, it says : "Talking about the nature of Education here, even after 55 years, Banyan is our logo, representing growth, strength, stability, service and trust."(source)
Note the words : "growth, strength, stability, service and trust."
In 2009, Rachana Sansad opened a private course for architecture with questionable infrastructure in place. This was precisely for:
growth = raising money
strength = making networks and gaining power
stability = using networks to build money banks
service and trust - to whom and for whom?


Under larger question is what we read on the Academy of Architecture Website: "...As a result AOA's enlightened students step into the professional world with wisdom and confidence gained at the institute."

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CRITICAL LENS:

"A recent declaration of the Management at the Academy is that the institution has been allowed to build additional 14 floors onto itself. Although there was a huge confusion about what should be an appropriate image for the new academy, there has been no stake of the people who are using it. There was considerable debate on the design and the designer.... The lack of any history of the college restricts any outlook and participation of the students, faculties and the staff – which essentially remain the stake holders of the space..."

from: "Archiving the Academy", unpublished research proposal, Anuj Daga & Arjun Sharma

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THE CASE:


Disallowed List put up at the end of the year > Some Students unhappy / disagree with decision > Try convincing Punde > Punde Firm > Students try Arm Twisting, their parents use contacts with DTE > DTE calls up Management of AOA

The DTE asked the Management of the Academy of Architecture / Rachana Sansad to reverse the decision taken by the Academic body - the Principal and the teachers. The Management gives orders to the Principal to allow the 3 influential students to escape, to which the Principal rejects - safeguarding the remaining students who may not have political contacts to save their lives. In the pressure of a decision, the solution comes out to be a resignation.

This looks like a clear case of interference of the DTE with the management of the college.
Why?
Because some rich influential parent decides to show off his/her power to save the case of his child.
What does a firm disciplined behaviour of the Academy mean to the high authority?: Spoiling relationship with the bodies that may give concessions and money for its 'growth, strength and stability'.

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LARGER QUESTIONS:

I have questions:
  • Do students come to an Institute for education or to show off their money?
  • Do students understand the essential difference between education and degree?
  • What value systems are parents operating upon today?
  • What must be the ethics of using powerful political networks?
  • What do we look forward to from an Institution that claims itself to be one of the best architectural institutes in the country?
And I already had these remarks earlier:


Bourgeois culture has forced people to mistake education for a degree, which can be applied to any job to earn a lot of money. Students are completely taken by a degraded value system where parents teach them to cheat. Some parents come to us demanding unreasonable grants, to the extent of telling us "that's how it works..."

As Prof. Shinkre shrugs: "Students no longer come here for education..."
Ravindra Punde lived Noam Chomksy's essay "The responsibility of Intellectuals". Chomsky opens his essay by saying "IT IS THE RESPONSIBILITY of intellectuals to speak the truth and to expose lies."


I have longer comments that I must not mix up with this post.
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REFLECTIONS:

Lastly, as I said four years ago, and they gave me all awards for voicing it:

We live in a "cinema for the blind"!



Wednesday, March 28, 2012

Faces

After Disallowed Lists:
All of them were really tensed and busy today.
Here is what their faces said:











Thesis Tidbits

Process / Cinema for the Blind:

These are some discussions that I had with all my faculty during my thesis. I realized that I hardly have ANY process drawings for my thesis. While I looked into my older files lying in my cupboard today, I found this file where I had preserved neatly all the papers that I scribbled on for 2 years.

That is a lot of writing - most of which seems absolute useless. However, what I do realize is that I wrote - whether it mattered or not - i kept clarifying myself and wrote. Lot more things. But here I put mind maps with:

1. Padma Desai





2. Prasad Shetty:







3. Madhumita Nandi:


4. Myself.

Tuesday, March 27, 2012

Sunday Times

Sundays are best time to reflect on the self and outside oneself. I am with the newspapers at length over the morning and in my mind I keep reflecting over every piece of news that I read - subject wise, content wise, language wise and from my own position. Then carefully pondering over all of it, I channel the entire information in the way it shall make sense to me or be relevant to my interests. So there is a kind of reshuffle in the brain and restructuring of the entire news that I read. The mind becomes like a hard disk with sectors of information. Images, text, events - all are chaffed out. 


Often I make imaginary discussions in my head or smaller lectures which I could discuss with students. These are always lost. The funny part with news is that it is so generic that it always allows you to form an opinion - agree or disagree. I love rationalizing my formed opinion , because it gives me a chance to engage with my own history and reconsider my own biases. I keep refining my biases and recording them so that my opinions are consistent. I wonder how successful i have been with being consistent. 


For example, I was wondering about how interesting it is for a newspaper like Times of India to bring out a supplement on spirituality in times when our actions are heavily driven by commercialization and unrationalized aspiration. For India, spiritualism has still not assumed a relegated position in life, given people's priorities of money, material and possession. Spiritualism or spiritual thought still remains the essential component that validates their action. On one hand, such a supplement tries to infuse some amount of idealism within the masses. On the other hand it makes people evaluate their actions by laying out moral standards. But at the same time, it also reinforces the ideas spiritual living as against the rational way of living.


A supplement like Times Life reflects on the issues of social behaviour of the elite. They mostly talk of a refined class, critically bringing their actions into contrasting perspectives. It is interesting for a bourgeois society like ours to read such reflections. 


I personally like reading the technology section where the news paper discusses how to choose between technology and how best one can exploit their gadgets. They also tell you softwares and tricks which simply ease your life. But there are so many interesting things going on. One can not possibly engage with all of it! sigh! However, they exist and we must acknowledge them... and be aware to be able to pull out of our archives at the right time in the right place!

Spatial Chaos in Personal spaces

We do not know how to move in our own houses when a lot of people gather in our space. We create awkward pockets- completely displacing and misplacing objects and people when population of both increases. This is what produces chaos. Some people celebrate this chaos and describe it as the character of our society. I am not a fond proponent of this theory.

The contradiction is that although there may have been arguments that our society has been excellent in space management, I wonder if we need to invent a new term to address a chaos like such. What is this shortcoming to handle more people to be called? This cumulative change in our living conditions have always been beyond our comprehension. Many amongst us like to romanticize about such condition of chaos. This chaos is physical because of the indecisiveness of a lot of individuals. It is mental unclarity that manifests physically.

Architects therefore have a definite role to play here. The essential job of the architect is to plan spaces for people in such a way that this mental chaos can be abated. In some ways, it is mismanagement or lack of planning that should be attributed to people of here. But long old arguments have always maintained that Indian ways of planning and management have been meticulous. But I wonder how to place my argument amidst this metanarrative...? Is the context I am talking about specific to a specific time in history? It is of global historical space of now? I shall have to investigate into historical records and ascertain my argument....


(investigation under construction)

Of Financial Institutions & Social codes

Financial institutions (banks, investment companies, stock markets, etc.) have flattened peoples lives by sucking in all their money at their nascent ages making them think of their lives 20 years later. What financial institutions do is that they create within people's minds fear of the future. They always project people's futures as negative - completely blanketed with health problems, social problems and emphasizing the negative projections of today's world. Through this they are able to construct a story where life seems unmanageable at the beginning, which when mediated by these institutions assumes a positive end. Financial institutions do not allow you to take any risks. They flatten your life. Your life is made uni-dimensional. One track - where you are projected to be in a bad state and vulnerable to all possible harsh effects of life. So we never live the present but think of 20 years hence. This is not to say that we must not anticipate our futures. But the proportion of our resources that we allocate for 20 years hence may seem questionable.

In this process, it is only the financial institutions that reap the benefit of our money, giving us a paltry sum out of their profit. Are we such timid people who donot have ideas to do more creative things with our money? These financial institutions have created a hegemonic (subconsciously dominating) condition where their web of difficult descriptions of life do not allow us to be or think creatively. We get caught in our 'constructed'/'projected' difficulties even if our life may be much better. They stunt our creative growth as creative individuals. They suppress our enthusiasm. They restrict our dreams. On of the biggest problems of our society is that we do not appreciate dreamers - or people who have the capacity to dream.

Measured risks form an essential part of our life. Financial institutions create within us fears of failure. They choose moral ethical and social tactics to target their audience. They would talk of family values and the assumed responsibility of a son/daughter towards his/her family and make them conscious of their roles. One doesnot need to be burdened by such roles but take it up willingly, naturally. Financial institutions force it upon us and make our family relationships formal. Money becomes, quite absurdly, the medium that ties us to our family members more than relationships...these misplaced notions have to be critically considered. They create frictions and unnecessary tensions that donot need to exist within a familial setup.

And what can financial institutions do for a person losing ones life any way? In the middle class, how many people really lose lives because of lack of money? I guess middle class people do have strong networks to sustain themselves of such eventualities. Here too, the financial institutions create an image of 'awkwardness' that one 'should' feel while borrowing money from their own friends and relatives. Every person in a middle class setup understands each others' needs and the financial institutions almost project it as profane. In  other words, money and its virtual lack (as created by such methods) creates a completely new social and moral code of behaviour. It is internalized and you are forced to follow it - that is hegemony. I wonder if one person shall be ever able to challenge it.

But essentially, one needs to keep a check of inflation - thats the reason one must make a basic investment. Other than that, it's paying someone else to fiddle with your money. And on top of that, we get into countless amount of paper work and maintaining documents. There may be exceptional stories, no questions regarding that. There may be cases where such systems help. But I strongly feel it's over emphasized and becomes deterrant - because it is almost like a fever that grows on to you...

Sunday, March 25, 2012

Oxygen Machine


Lungs of the Building
Detail: Outside & Inside 

Opposite to Academy of Architecture, I saw something that I found really fascinating.
I related it back to the Oxygen Machine that our students had proposed during the Orientation workshop 2010-11. 
"One of the direct consequences of a grave traffic jam would be increase in the amount of pollution. Students overtly pointed out that there would be need of more fresh air and hence the idea of Oxygen Supplying Machines, which would provide fresh air to the much needed spaces in this situation. The group chose an external facade of the college to suck in fresh air and prepared a large blowing assembly - a contraption which throbbed through specially designed bamboo hinges and covered by a cloth which would blow in fresh air. The Oxygen Machine magnified the experience of breathing in the city."
excerpt from "Orientation Workshop Summary 2010-11"


More ideas. To be elaborated later.


Saturday, March 24, 2012

Quotations


Persons can be hypocrites. Can cultures also be so? Does the hypocrisy of cultures on closer scrutiny turn out to be a contradiction in the human condition itself? For that matter, is a hypocrite only a casual cheat? Or is he someone who reaffirms the basic human values in a word hostile to such values, while himself succumbing to worldly temptations? Is a hypocrite an unwilling critic of everyday life whose personal failure signals a larger cultural crisis?
-Ashis Nandy, the Uncolonised mind: A post colonial view of India and the west, pg 83-84

“Two clichés make us laugh but a hundred clichés move us because we sense dimly the clichés are talking among themselves, celebrating a reunion. Just as the extreme of pain meets sensual pleasure, and the extreme of perversion orders on mystical energy, so too the extreme of banality allows us to catch a glimpse of the sublime.”
-Umberto Eco

We all have our secret chart to tastes, distastes, indifferences, don’t we?
-Roland Barthes, Camera Lucida, p. 18