The Interesting City

Yes,

This is what I kept forgetting.

Why is this city interesting? Why everyone is plunging into it? Why everyone wants to study it? Why is it so fascinating? Why are people migrating into it?

Any object/ thing in making is always beautiful! Look at a building being constructed and it looks more beautiful than once it would be completed. (at least that's an architect's point of view). Mumbai, I feel, is still a city in making. Unlike other cities, Mumbai still struggles for a coherent image (out of its cosmopolitan). You see buildings amidst the shanties. You see the shanties just getting transformed into slightly taller buildings, and the slightly taller being converted into larger ones. There is debris all over, there is cement, reinforcement, bulldozers everywhere. Flyovers, skywalks, trains, buses, metros, buildings - all in the process. We see it happening all around us. I think although we hate engaging in all of this, this is that we love about it.

We still have wadis, villages, beaches, padas - how could it then be a city? Just go to the outskirts - say Bhayander and you will see a gamut of adopted culture from the main city. Someone once said: "Mumbai is a village" intending to say - there is no amount of city-like civilian built form here.

Can you imagine what it means to be in a city which is still in its making? 100 years later, when its full, we will be historical. They will write on us as "these people used to take a train from Goregaon to Dadar for their work" - quite possible. No, actually what I want to bring out is that while cities like say New york or London are all almost done, Mumbai is just midway. Now that Other cities are being reacted to, Mumbai is doing it all at the same time. It is building itself, critiquing itself, reacting to itself and growing simultaneously. I think that is what makes it interesting. And in between all of this lie a group of people called "architects", "urban researchers" and the whole group of "activists" and others. Some of them one day will be known as we know of the "surrealists/dadaists/situationist" today!

The only unfortunate thing is that while the other landmark cities that we study today were widely documented, Mumbai has already become far to complex to be documented. Documentation should be available for future study. And we need to still archive a lot of it. How do we begin to even look at this city in process. Is it correct to be evaluating it while it is still in process? To be able to talk about it more confidently, there should be some intensive effort in its documentation. There should be something like a City Document Society - something like a gazzetier. The gazzatier is far too limited in terms of its methods. May be new age tools could be used to start looking and recording the place we live in.

(this post needs to be formalized)

Passing thoughts

One of the reasons why I keep earphones plugged onto my ears all the time is that there are so many thoughts that come into my head all the time that one day they would drive me crazy. As i look around myself, I feel like I could document the whole world in my own way, in the way I observe. But it's impossible. Because thoughts come and go at electrifying speed. When I listen to the music through my earphones, I am only thinking of the song, and these days, I keep analysing all songs as I listen the tunes I've loaded into my phone - for the n-th time. I keep noticing the fine tunings, the overlaps of instruments, the nuances of singers, the beats, the composers...and its interesting how I have been able to comprehend my sensibility of understanding music.

The other thing that I feel wierd about is that my friends keep reminding me about my other friends' birthdays! That's really sweet of them! I mean how considerate can friends be? I think I am quite lucky to be between such people who understand that I just can not remember dates. I was terrible at historical dates! I still am, although I love the subject now!

Shadows in summers are beautiful. I think it's very recently that many of the people around have painted their walls in bright colours. So you can see crisp metals giving amazing sciography that one would like to draw on graphics plates! Sometimes, when they overlap over each other, or sometimes when flat lines make 3-dimensional shadows on folding planes, one wonders what wonderful spaces can be created using only light and shade...

On the other hand, summers are also for mounds of watermelons, parrots on cables, copper pods on black taxis, bottles of sherbets....all of which is also colourful!

These are also the times when I am preparing to separate myself from my first closest association with students - my second year batch. And I am feeling terribly uneasy to be able to dis-associate with them! I never thought that it would be such a hard feeling of loss. But one day, even I would go...and I don't know how important I am in their course of lives anyway - I was just a coordinator at the end of the day.

Hmm, just moving on now. Far too many things that hold back, and far too many things to look forward to...

Images <> Forms

In the past 3 days, I have happened to get into some intense discussions. One of them was the Interior design Jury for the second year-ites. The project was to intervene in the caves at Kahneri, Mandapeshwar, Elephanta and Mahakali. In a way, I felt that the project was a an interesting one to study interiority. The interior design studio during this entire year discussed quite mature issues. The first one was almost inspired by my fellowship research (though I may not completely claim it to be that way) and the idea of the first project developed from looking at domestic objects. Everyday objects were studied, analysed and new ideas were associated to them finally taking them to the next step for enveloping them into a space or a space that they could envelop (i shall confirm this with the faculty).

However, the two important arenas of discussion that the projects opened were: domesticity and interiority. Thus the projects were not really driven by the typical practice of interior design that happens in the city today. The arguments they generated were fairly academic. The intervention at the Kanheri Caves especially evoked a huge debate, where students decided to create a kind of historical journey through the various architectural landmark structures. These included the temple forms, the church forms, the mortuary temples at Egypt, the Moghul gardens, the Pantheon, the basilica, the Greek amphi theatre and so on. Imagine placing each of these (taking on different functions) against the Kanheri caves.

At one instance it may seem absolutely funny. Well, it is. It definitely is. But this discomfort allowed us to debate how we so strongly relate forms to functions / images to forms / meanings to images / and information to meaning. Atul's argument was not to look at the image of a church as church or not to associate the image of the temple with the temple. He argued that these functions (temple, church, etc.) were ideas that manifested into these forms. Today these ideas could be reinterpreted. Today, their manifestations could be different. (in fact, they have been different to quite an extent). Then the association between the image and the form is broken. How do we then re-constitute the image of a church? My argument was to go into the experential. But Atul cautioned me to do so! That's the beginning of a big search that we ended in.

Here are some pictures of the projects:

Animals

remaining posts

Actually I had to write a lot about my trip to Haridwar but as usual, things have evaporated by now. I had to talk about my uncle's retail steel products shop in detail. There was so much I learnt there about how reinforcements are dealt with. I wanted to elaborate on the idea of "bones of a building". Anyway, many thoughts are lost.
On the other hand, there were some things that I had to also talk about Palghar (especially new constructions). I have no zeal to write about these now. 

Open Jury at AOA

The open jury at AOA during the last week seemed fascinating. I saw such a charged up chaos at AOA after quite some time (or have I seen it ever before?). Models were all around and the back area was almost crammed up. Some students were all dressed up while others had just finished putting the north on their plans. There was a big panel of jurors - right from construction, structures, humanities to the design faculty. While students shivered, they handled and accepted 'criticism' quite bravely.

Although I still heard some grumblings from jurors on ill designed toilets, ducts, missing section lines, wall elevations as I passed along the panels, there was some really inspiring work. the one model below (yet to be put on a ground base) reminded me of Rem Koolhaas's sleeping buildings.

Forms, materials, shapes, shiny surfaces, file card, thermocole - all around. Still, I feel open juries have to be more open forums. Students still do not attend juries of their peers. Dialogue amongst students will transform the whole scene. Students must overthrow / push their faculties to perform through dialogue. Many of them craved to talk, but were unfortunately conversed only about BHK or toilet ducts. But I am sure this is to change...